September 2nd 2014. Pick of the Day.

New York City's premiere resource for classic film screenings in the metropolitan area. Offering reviews, recommendations, venues and a host of links keeping classic film and the silver screens alive.

I trust Labor day '14 has left you all sufficiently sated, spent, and snoozed, ready to embrace a new workweek, another falling of the leaves, a changeover from one American sporting pastime to three others, Thanksgiving, Christmas, New Year's Eve, death and oblivion. See, ya didn't realize the signifigance of yesterday's BBQ, didj'ya? No matter! We have a brand new fall program of classic repertory film screenings to harmonize our whistling past the graveyard, upcoming splendiferocity including tribs to awfteurs John Waters and Edward D. Wood Jr., a retrospective of the films of Taiwan New Wave titan Hou Hsiao-hsien, and a most anticipated embiggening of one of Sergio Leone's greatest epic films! Lots to get excited about, but for the moment let's focus on today's doings. Ongoing series this September 2nd include The Great War: A Cinematic Legacy at MoMA, Classics in HD at Symphony Space, and Screenwriters and the Blacklist: Before, During and After at Anthology Film Archives. The lowdown be thus;

 

Film Forum

THAT MAN FROM RIO! (1964) Dir; Philippe de Broca

THE CONFORMIST (1971) Dir; Bernardo Bertolucci

 

MoMA

The Great War: A Cinematic Legacy

DR. HART'S DIARY (1917) Dir; Paul Leni

VERDUN, VISION OF HISTORY (1928) Dir; Leon Poirier

HAT CHECK GIRL (1932) Dir; Sidney Lanfield

 

Symphony Space

Classics in HD

BLACK ORPHEUS (1959) Dir; Marcel Camus

 

Anthology Film Archives

Screenwriters and the Blacklist: Before, During and After

TOM, DICK AND HARRY (1941) Dir; Garson Kanin

TAXI! (1932) Dir; Roy Del Ruth

 

Today's Pick? I'm going with the final day of AFA's Blacklist series, concluding the first of a three part program examining the consequences HUAC's sins had on some of Tinseltown's most talented scribes, tonight focusing on Paul Jarrico's work on Garson Kanin's TOM, DICK AND HARRY, and John Bright's contribution to Roy Del Ruth's TAXI! Causes like this one, re-establishing the reputations of unfairly pilloried artists, and reminding that bullies of all stripes lurk ever at the opportunistic ready, never get old. Neither do the films.

 

For more info on these and all NYC's classic film screenings in September '14 click on the interactive calendar on the upper right hand side of the page. For the monthly overview and other audio tomfoolery check out the podcast, and follow me on SoundCloud! For reviews of contemporary cinema and my streaming habits (keep it clean!) check out my Letterboxd page. And be sure to follow me on both Facebook, where I provide further info and esoterica on the rep film circuit and star birthdays, and Twitter, where I provide a daily feed for the day's screenings and other blathery. Back tomorrow with a brand new Pick, til then safe, sound, make sure the next knucklehead is too. And be sure to lemme know if you need any help with those holiday BBQ leftovers. Just offering.

-Joe Walsh

 

JoeW@NitrateStock.net